The Village Mod (
villagemod) wrote in
villagelogs2020-10-03 08:52 pm
Entry tags:
- *overview log,
- doc holliday (wynonna earp),
- ellie (the last of us),
- raylan givens (justified),
- ~ claire novak (supernatural),
- ~ daisy johnson (marvel live action),
- ~ jill valentine (resident evil),
- ~ john constantine (dc live action),
- ~ kylo ren (star wars),
- ~ max guevara (dark angel),
- ~ number five (the umbrella academy),
- ~ phil coulson (marvel live action),
- ~ rey (star wars)
001-003 ยป a chilling mathias welcome
WHO: Everyone.
WHERE: The east end of Mathias, along the waterfront.
WHEN: Days 001-003
WHAT: The newest residents of Mathias Township are welcomed with a storm.
WARNINGS: Will update as necessary. PM this account to have a warning added!
NOTES: A small love letter from your mod. This spot can be used for plotting.
RECOMMENDED โซ Deadly Avenger "Mara"




navigation | faq | setting | mod contact
WHERE: The east end of Mathias, along the waterfront.
WHEN: Days 001-003
WHAT: The newest residents of Mathias Township are welcomed with a storm.
WARNINGS: Will update as necessary. PM this account to have a warning added!
NOTES: A small love letter from your mod. This spot can be used for plotting.
RECOMMENDED โซ Deadly Avenger "Mara"

DAY 001
THE ARRIVAL BEGINS
Is it the whooshing crash of waves on dark jagged rocks that wakes you? Perhaps. It might also be the near-continuous rumble of thunder growing closer every second, the vibrations almost seeming to come from the wet sand beneath your hands. Or maybe itโs the shivering of your own body as water recedes from the pebble-covered shore, the cold sinking into your very bones as a chilled wind picks up. It could be any of these things that rouse you from a deep slumber that leaves you feeling groggy and out of sorts--
But itโs the fear that gets you moving. A deep, intense terror grips your chest and squeezes the breath right out of you, and you know without a shred of doubt that you have mere minutes before whatever it is youโre so afraid of arrives on that stretch of rocky beach to greet you. Even if you want to stay rooted to that spot and faced it head-on, your body betrays you, a survival instinct etched into your genetic code forcing you to seek shelter.
Welcome to Mathias. You should probably run now.THE STORM ARRIVES
When the storm crashes into the small township, it's hard to remember what life was like before it. The ocean becomes a raging thing, waves rising and falling as if trying to attack whatever they can reach along the coast. Any foolish enough to venture along the beach have no hope of surviving the encounter; their bodies will be swept out with the current, gone in the blink of an eye.
The wind is a howling beast, screaming between buildings and driving spikes of cold into any crevice it can reach. The rain is just shy of freezing, every drop like a shard of icicle trying to itself into your skin. It will bite at your nerves and leave you shaking if you stay out in it too long, so you had best get inside if you haven't already. You certainly don't want to attract the attention of the lightning that arcs in the sky like a vengeful god ready to unleash its wrath.
The Grey Gull restaurant sits at the edge of the town along the beach, and just a few yards away are two parallel rows of houses lining what might be a picturesque street if the world weren't beginning to resemble an apocalyptic landscape.
Move quickly, and choose wisely.

DAY 002
THE STORM RAGES ON
The storm has somehow become even more violent overnight. The world outside your shelter might be trapped in an endless night, for all you can see through the thick covering of storm clouds. Lightning continues to streak across the sky, thunder following almost immediately in its wake, threatening just how near those spikes of electricity truly are. You can see them touch the shore at times, even the street between the homes, but never the buildings themselves. A blessing, perhaps, or an oddity to take note of?
Some may be foolish enough to try venturing outside. They are welcome to, of course, that is their right, but the rain is still like ice and that lightning is so very near. You may try heading further into town, and you can certainly see buildings beyond this row of houses, but should you walk toward them...
Well. It is far from a pleasant experience. Exhaustion sinks into your bones so quickly that it leaves you reeling, and every second you push through it makes you physically ill with a feeling that you might collapse at any moment. The second you turn away from that path, however, you feel infinitely, and even more so each step back the way you came.
Something wants you to stay where you are. Perhaps you should.

DAY 003
THE CALM DESCENDS
The third day begins much as the second, with waves crashing upon the shore and thunder booming with such force that the ground seems to shake. It feels very much like the world might end right there, torn apart by a force of nature unlike any seen before. Any who venture outside at this time are almost immediately afflicted with a terror so intense that they can make it no more than a few yards or the short distance to cross a street before they become incapacitated by the fear that sets their heart beating dangerously fast. The term scared to death may very well become literal this day.
And then, suddenly it stops. The rain, thunder, lighting— all if it just stops and the silence that fills the night is deafening. There are no sounds of life within the town, no car motors or dogs barking or the voices of anyone beside those new arrivals in the immediate vicinity. In fact, none of those things even exist in Mathias. There are no cars, no animals or insects, no other people. There is just... emptiness and silence.
It may be best to wait until daylight to move further inland.THE NIGHT DARKENS
For those who are foolish enough to leave the relative safety of the cluster of houses near the Grey Gull, they will find their journey quite chilling, in a very literal sense. There is another row of houses beyond where they had been, branching off on either side into a neighborhood. There are no lights on in any of these homes, though there are occasional streetlights illuminating their way. But as they continue further, reaching a third block of houses, those lights begin to dim, until they have gone out completely, and what had previously been a simple fall chill becomes biting cold as the temperature sharply drops.
In all of this, there is silence. No sounds travel through that night air to comfort them, and even looking up to the sky stretched out above them offers little reassurance. That sky is black, without a single star and not even the faintest outline of the moon to guide them. All that reaches them here is the barest hint of light traveling from the way they've come. The longer they linger outside in this place, the colder it will become, and any light they carry with them will slowly begin to dim as well.
Truly, they should have waited until the sun rose once more.

LOCATIONS
THE GREY GULL is what one might expect of the most frequented restaurant in a small coastal town. The wrap-around porch is lined with white chairs characterized by peeling paint. Exposed wooden walls and worn seating speak to its many years of existence, and the mishmash of dรฉcor confirms that the owner never much cared for how the place looked. What mattered here was the food, and faded chalk menus advertise soup specials and a daily pie. The bar appears to have once been well-stocked, but all the bottles remaining are unfortunately empty. There is, however, quite a bit of food in the kitchen that is somehow as fresh as if it were purchased that day.
The second floor of the restaurant is a sparsely furnished apartment. There are no personal items to be found; perhaps it was waiting to be rented out to someone.
THE HOUSES are well-kept, middle-class homes, four lining either side of the street. Their doors are unlocked, windows unshuttered, and everything within feels like the owners might return at any second. There is running water and electricity, fresh food in the fridge, photographs on the wall... but also dust everywhere. If you didn't know better, you'd say the place had been abandoned for years, and yet nothing has aged. It is both strange and unsettling, and yet no matter how hard you search, no answers may be found within these homes.
What can be found within them, however, is a phone. One single black phone within a main room of the house, and beside it, a list of handwritten numbers and names that have been crossed out.1302 8-5491Thomasen
1304 8-9256Lyrie
1306 8-4712Anders
1308 8-3201Mulcalley
1301 8-0415Sanderson
1303 8-6762Reese
1305 8-9132Evers
1307 8-9025Hirano
Should your character choose to shelter in one of the houses, you are welcome to choose the features of that particular unit. Please reply to the comment thread below with the details you decide upon, specifying the house number in the subject line.

QUESTIONS?
no subject
(no subject)
no subject
Pen, paper, cooking utensils, paper clips, occult spell books, keys to the house/rooms, other things of note?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
(no subject)
(no subject)
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
no subject
(no subject)
(no subject)
(no subject)
no subject
- Any empty compartments in the walls, backs of closets, under floorboards, ect?
- Any safes, or shoeboxes in the tops of the closests or under the bed?
- Can he expect the general photo/decoration to match the others answered in other questions?
Anything behind any of 'em?(no subject)
no subject
botherbotherbotherMulcalley house!- Any details on the people/persons that lived there? Family size, state of relationships, what jobs they had?
- Any sort of details that might hint at Mulcalley knowing/being close to the former residents in other homes?
- Furnished like the 1990s so... any electronics in the house (TVs?!) work besides the phone?
- Anything unusual or odd about the house itself that might stick out to the naked eye?
- What might John be able to find in the study? (update due to thread movement)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
There's a kid's room, parents' room, spare room, and office.
Is there anything worth finding here? (Ellie is most interested in weapons/things that can be modified to make weapons. In TLOU you gather things like rags, alcohol [not the drinking kind], antiseptic/first aid things, scissors, nails. But she's also observant and would try to figure out reasons the people are gone, why there's no sign of the infection from her world, whatever.
This is a terribly open-ended question, lmk if you need something more specific orz
(no subject)
no subject
for example, how many were in the household? what were their jobs? and, more relevant, are there working clocks in the house, and is he able to find a wrist watch?
are there maps of the township to be found (sorry if this was answered before!!)?
and effectively, to confirm, everything looks perfectly mundane and every-day, with absolutely no signs of struggle or otherwise?
thank you!!
(no subject)
day 3 night questions
How cold are we talking, like potentially frostbite or hypothermia levels? Does the silence impact them (like if they talk to each other could they hear each other clearly, muffled, or not at all)? Are there obstacles they might stumble into?
For just the additional houses, are they unlocked and lived in the same as the houses on the occupied row? Anything strange or unsettling they might notice about them?
(no subject)
(no subject)
(no subject)
MOD INPUT
no subject
John is about to cast a form of reveal spell. He's hoping he can kick up the energy in the Mulcalley house to "replay" (like a repeat haunting) the last events that happened in it. The context is the two talking about if the people in the house/town have just disappeared or not.
I figured the spell would either not work entirely, or misfire and do something else.
(no subject)
(no subject)
Day 3 Ill Fated Nightly Explore Question
(no subject)
(no subject)
(no subject)
HOUSING
Logan Housing
ReeseLogan is going to settle in this house. Not sure on details just yet! Will edit as needed.
If Anyone wants to share the home with him, hit me on the plotting post! We can design it together!
(no subject)
(no subject)
(no subject)
1301 8-0415 sanderson
1308 8-3201 Mulcalley
1307 8-9025 Hirano
Claire: 1306 8-4712 Anders
OTA: hit him anywhere
Denim was a great fabric. Kept you covered, took abuse but it had its downfalls. Shit for keeping anyone warm and a different kind of hell when they were soaked all the way through, one that dragged at him and made his legs feel pounds heavier than they were. The layers of his shirts and long black jacket didn't help and made him shiver violently as he took what felt like his first breath in. The grit of the cold sand felt like a thousand little needles against Raylan's cheek and and palms at the act of pushing himself up to look around, ensuring he wasn't having some weird trip of a nightmare. Except the rolling grip of fear in his gut wouldn't let that assurance take hold.
There was no Baby Fingers with a stick of dynamite to shove down someone's throat, no Arlo larger than life with his clenched white fists swinging, but Raylan felt it anyway, like he was in a room that was closing in to crush him. Out on a beach. With no idea where he was, Raylan really had no choice but to get to his feet and get moving, stumbling across his soaked stetson on the way. He'd barely gotten it in his hand before he heard a crack of thunder that made everything in him scream to scramble out of it's way.
His eyes swept the beach, wincing reflextivly at the lightning and Raylan made his way up towards the buildings.
Day 1 - The Gull Restaurant.
He didn't like the look of the building but it'd do for cover from the pelting rain and howling wind. It was too close to the beach he'd washed up on, just like any of the other options, and if living in Miami had taught him anything, it was don't go surfing during hurricanes. Not that he could say that's what this was, but he didn't have any other context for something this angry and large. Soaked to the bone, Raylan rushed through the door, hat used as a shield against the elements and shook as much of it off him as the door slammed behind him.
Uselessly brushing off the water from his arms, Raylan looked around the restaurant and for anyone else that might have survived washing up. If there was anyone else.
Day Two
There were no weapons here, not even a baseball bat which felt like some kind of small town sin to him, and that made him as antsy as diving back into the proverbial pool. The fear that had driven him in here was still sat low, coiled around the base of his neck and lifting all it's hairs. What if they were attacked? He could brawl but he'd rather have some leverage.
"To hell with it," he said to no one in particular as he walked over to grab his jacket and shrug it on. "I can't stay in here anymore, I'm pushin' further inland, as far as I can. Better to beat the storm surge, if there's going to be one." Living in Miami had given him some insight into hurricanes and this was as close to one as he'd seen.
"Be damned if I'm left stranded on some roof." Raylan headed towards the door, popping the collar of his jacket to wrap around him as tightly as he could to try and protect himself from the rain, one hand holding his hat in place.
House 1307
Raylan had pushed himself as far up the line of houses as he could, stopping frequently to try and catch the breath that the wind stole from him with every draw as he willed some of the feeling back into his fingers. He wasn't a smoker, stayed in shape, and had suffered all kinds of weather. Nothing quite like this and cowboy boots were shit in sand. Peering around the corner of the last house in the row, Raylan could barely make out the buildings in the distant but they were there. Good, he could deal with goals. He could make it that far.
Taking one last breath, Raylan pushed out into the wind again and past the house, fully intent on finding safer, better shelter. Within seconds, he felt like he was in quicksand or weighted down and had been struggling for hours, vision blurring around the edges as the urge to lay down right there threatened to overtake him. It was so strange that Raylan assumed it was from exertion and pushed forwards another three steps before collapsing onto his hands and knees, panting and trying not to hurl from it. What the hell was happening to him?
Day 3 - House Hirano
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
Day 2: By House 1307
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Day One \\\ Logan /// OTA
Looking around, the wind started to blow harder, forcing him to move as he stood up. Started to chill his already wet body. He had been in Japan last he remembered. It was snowy. The cold didn't bother him there like this was bothering him. In a wet white tank top, fitted, and pair of dark pants and boots, he turned around, looking out at the water. "Mariko..." he said to himself, feeling like something tugged at his heart.
If anyone else was there, he hadn't noticed just yet. Instead he felt a panic hit him, in a wave of emotion. Like something was coming. Something was coming and he was PISSED. His heart beat faster and he sniffed the air, the wind not helping at all. "Marikoooo!" He yelled over the wind, leaning into it, arms out to the side, fists balled up. Ready to take on the ocean if he had to.
But the fear of something coming was making him move. Making him turn away and walk. He panted, and smelled something. SOMEone else. His claws dropped instantly, turning to look down the pebble shore to... a person.
he wanted to FIGHT something, but they lay there in the water, on the shore, much like he had. Maybe it was Mariko, or Yukio. Or... or... --with a grunt he put up the claws, though the fear still swept over him. He had to move.
"Hey! You!" he called out, moving towards the body. If someone was there maybe they were as lost as he was.
-----
Later, weather he helped someone in shore or not, he'd find himself at some bar or restaurant. The wood seemed old, the pint chipping, but it was a shelter. Shelter from where. There he had found place to settle down in a chair, looking over his knuckles. They hadn't healed. They were healing, but not really. Smaller, but his hands were bloody from the claws, and the open holes in each hand... bothered him. This wasn't right. He had fixed this! He took the thing out of his chest himself. Out of his heart. Why was he still not healing?
He sat there, bloody fisted and annoyed looking. There were others in the place, but he didn't take the time to talk to them yet. This was wrong and it was where his focus was. He should be healing.
He should be in Japan. He should be saving Mariko. HE SHOULDN'T BE HERE. Where ever here was. So many questions, so little care to ask them. As people milled about, out of the storm and rain, his dark eyes stared off at his hands half the time, or into the room the other half the time.
What was going on here?
beach
Claire's been list in a swirl of her own dark thoughts after realizing she didn't go home, and list more than just one loved one because of it. Her chest feels so full with emotion that she wants to vomit, and her cheeks are numb from trying not to cry her heart out.
She doesn't quite move other than flexing the fingers of her balled up hands in the sand occasionally, but when he calls out to her, the tension in her posture uncoils, making her reel up and back, and then to her feet. Her face is fet, the eyes red rimmed, but when her blue eyes meet his face, her jaw sets in a tight clench and her entire demeanor shifts from distraught to on guard immediately.
Her eyes drop to his clawed hands, and she snarls: "Hey, stay the hell away from me!"
Ellie | Day One | ota
B; YOU SHOULD PROBABLY RUN NOW
[ plotting comment here if you want to plan things before we jump into them. Ellie's house number is 1304 8-9256 Lyrie. ]
day two
Ellie feels a little stir crazy by the next day. The storm rages on, just like the one that had blown in that morning in Seattle, the last thing she really remembers before the beach here. She's still sure this isn't near Seattle, but it's a pretty eerie coincidence, isn't it? Well, whatever. She still has that touch of fear, but...it doesn't feel quite the same.
In the early hours of the morning, Ellie comes out of the room she's barricaded herself in and back down to the living room. The storm rages outside and she feels keyed up by her own nightmares and the general uncertainty of the town. There's someone else here now, though, and she pauses in the doorway, still but on alert like a deer about to dart back off into the woods.
"Who the fuck are you?" she asks, never one for politeness, really.
B; for John Constantine
Anyway, she can't stay in the fucking house forever. She has to get back. What about Dina and Jessie? What about how fucking close she was to finding Abby, after all of it? That all still matters.
Outside, though, it's a nightmare. Sheets of water pour from the sky and thunder flashes above. The visibility is much worse than it was in Seattle, though. She can barely make out the buildings. But she'd noted, looking out the window, that there was some kind of bigger building, the restaurant or whatever it is, in the distance. She's got a good sense of direction.
What she doesn't have is much of a way to overcome that bone-deep fatigue that hits her only a few feet away from the house. It's like she hasn't slept in days. That wound in her shoulder aches. She feels like she's dragging. It's like being sick or something, but...that can't be right, can it?
She stops, still not at her destination, and leans heavily on a street sign, trying to work her way through it.
"Oh, man up, Ellie, for fuck's sake," she scolds herself.
B;
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
a
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
day three
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
b; lmk if this isn't okay/if he needs to go out the way he came
this is fine! please excuse her shitty attitude
no big deal, he's used to worse hah
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
b;
(no subject)
(no subject)
cw for some vague ptsd stuff
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
i'll bite for A!
(no subject)
(no subject)
(no subject)
Five Hargreeves โ Day 1 โ OTA
I: run, boy, run
II: You can't go back to Constantinople
( plotting post here, or hit me up on
โ Day 2 โ OTA
I: the clock is moving, hands to midnightII: in hell i'll be in good company
(no subject)
(no subject)
(no subject)
i,,,am so sorry
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
II
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
โ Day 3 โ OTA
Day 1: II
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
john constantine | ota [ DAY ONE ]
ii. THE GREY GULL
day two | ota | 1308 8-3201 /mulcalley/
ii. when I saw the shadow of a man creep out out of sight.
ii
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
day three | ota | 1308 8-3201 /mulcalley/
ii!!
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
II!
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Grey Gull - Let me know if I need to adjust anything!
this is PERFECT
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
ii
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
daisy johnson ยป day 1 ota
can you lead me to the light? — open
[ ooc: Will match format! Daisy is in this outfit; her permissions/info are here (note the identifying marks). Plotting comment if you'd like anything for late on day 1 or day 2/3. ]
ยป day 1 (can you lead me to the light?)
Yess bracketsWhere else would John Constantine settle? The bar, of course. His infamous trenchcoat is hanging over the back of the chair as he's rummaging behind the counter. A few of those lovely bottles are broken - namely because he's realized that they were all empty. No alcohol. That meant it was onto his next major vice to help settle his nerves: cigarettes.
Obviously there'd be no cigarettes in a bloody restaurant. Still, John is hoping. He might have to just hope the ones he has on him will dry out in a few hours. This was off to a great start already. Waking up on some random beach, gripped by a fear that reminded him of the largest screw-up in his life, and now nothing to clam his nerves.
He sighs and stands up from behind the counter. Hands run through his hair to shake more of the seawater out from it. ]
Brilliant, this is. Bloody fantastic. [ John lets out a long aggravated sigh before looking up and seeing that he's not alone in the room.
When did someone else get here? ]
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
https://www.youtube.com/watch?v=nZzS79Ar2b0
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
ยป day 3 ota/closed
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
can you lead me to the light
(no subject)
(no subject)
(no subject)
(no subject)
...
Phil Coulson } Day One } OTA
[ The passage of time is a difficult thing to trace when asleep, and it's really a strange feeling to be asleep without really remembering drifting off in the first place. Coulson's sleeping mind is turning over this conundrum even while he slumbers, but little does he know that he's about to have a rude awakening.
It would have been a slower awakening, because the cold and wet is starting to seep through his clothes, but without warning, there's an almighty crash of thunder, followed by a flash of lightning, and Coulson's eyes snap open.
It takes a second for his mind to catch up with his eyes, to interpret the information filtering in, and eventually, he realizes he's not on the Bus anymore. A variety of emotions flicker up out of nowhere and are replaced quickly by an unexplained, deep-seated fear. He's not really scared of anything, unless the safety of his team is at stake, but right now, he's actually, truly afraid.
Of what, he's not even sure, but there's no arguing with that tight band across his chest. It's such an all-encompassing fear that he feels himself rooted to this spot, but even while he's standing there, a voice is telling him one thing:
Run. ]
ii. run
[ A star athlete, Coulson is not. But as a SHIELD agent, he's had training, and he's physically fit, even if he's no spring chicken anymore. When the urge to run comes, he listens to it, and if there's anyone nearby, they'll be able to see Coulson sprinting up the beach and heading for the town.
His clothes are soaked, and of course, he's freezing because the falling rain is colder than ice, but he's not stopping. But where should he go? There's the Grey Gull on one side, and what looks like rows of houses on the other. Stopping might not be synonymous with death, but neither is it a smart decision.
Deciding the best option here is to flip a nonexistent coin, he pauses for the briefest of seconds, and then points in a random direction. It's not much of a choice, just left or right, but wherever his finger ends up pointing, that's where he's going.
He just hopes to find shelter and safety (if that's even possible), not more danger, but of course, that remains to be seen. ]
[ Coulson's plotting comment is here if there's something else you'd rather hash out instead! ]
Day Two | both prompts OTA
[ So, as far as Coulson can tell, the storm is still raging on outside, but from what little he can see from the window of the building he's holed up in, one thing is apparent: the lightning isn't touching any of the buildings. Sure, that probably isn't important enough on its own, but the thing is, Coulson's getting a little stir-crazy. He doesn't know where he is, or why he's here, and while he figures answers aren't going to be so easily gained, he's not going to learn anything sheltering indoors.
Yes, it's risky to take chances, but if he plays this right, he might actually learn something. He waits for a break in the lightning strikes, and as soon as it comes, he opens the door and steps outside.
He can be found in the building just across from 1304 8-9256 Lyrie, rifling through piles of debris, opening up anything that can be opened (cabinets, mostly), and looking for anything that might be of use. ]
ii. striking out
[ After awhile of searching and coming up empty handed (well, with the exception of a dull utensil that might have been a steak knife in a former life), that's when Coulson finally abandons his search and heads back outside. He's still within what appears to be the boundaries of the town, but something in the distance catches his eye. It looks like more buildings, but it's hard to tell for sure, and since he's come up empty thus far, he decides to take another chance and strike out for those further away buildings.
As he's making his way along, it's so gradual that he doesn't even notice at first, but exhaustion is starting to seep into his bones, weighing down his steps, but he's determined to find out what lies off in the distance that he keeps going.
That is, until an unexpected wave of nausea sweeps over him and he all but drops to his knees, landing on the muddy ground with a squish. While he tries to recover himself, he mumbles: ]
Well, at least I'm far enough out here that no one's going to see this.
[ In theory, anyway, because who else would be crazy enough to venture out this far alone? ]
[ ooc: for prompt 2, let's say it's open to two tag-ins, otherwise poor Coulson won't get a break from his ill thought out plan, or lack thereof. ]
striking out | cw: seizure mention
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Day Three
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
ii. run
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
rey - open/closed
day 1 (closed to kylo)
Despite having apparently been unconscious, her heart feels like its racing, blood pooling in her legs with the intent to run building.
And she feels him. Not some tenuous connection across the galaxy nipping at the edges of her mind. No, he's close and in the flesh, laying on the beach the same as her. She scrambles to her feet, patting at her hip only to find her hilt missing. She stumbles over to Kylo, falling back again to her knees to root around at his belt, his cloak, anywhere he might be hiding either of their sabers. ]
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
day 2 (closed to five)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
day 3 night (closed)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
kylo ren - open/closed starters
โค feel free to hit me up at
โด แด แดส แดษดแด - แดแดแดษด
โค ษขสแดส ษขแดสส
โค ษขสแดส ษขแดสส !
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
โด แด แดส แดแดกแด - แดแดแดษด
โด แด แดส แดสสแดแด - แดแดแดษด
Day 3 (Open/Closed)
For further plotting, please feel free to hit me up on
[Closed to Coulson] Day 3: THE NIGHT DARKENS
She's looking for Five, honestly, because she's restless, itching to get further to the bottom of this, and she'd like to touch base with him before she goes out. They've already established that she's prepared to charge face first into stupid ideas, so he can be a grumpy old curmudgeon about it. It's gonna be great.
Instead of Five, though, she finds another old man type at the Grey Gull, and grins as if nothing's wrong in the world. ]
Hey Suit. Enjoying the local hot spot?
[ She'll find a better nickname for him yet, don't worry. ]
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
[Closed to Five] Day 3: THE NIGHT DARKENS
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
[Open] Day 3: THE CALM DESCENDS / THE NIGHT DARKENS
@ Grey Gull
we'll go with before excursion - please forgive her stand-off-ishness ;)
no worries!
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
( outside the gull )
after the excursion - I am sorry, we're doing THIS mistake again
but now the mistake is game canon!
\o/
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
...
...