The Village Mod (
villagemod) wrote in
villagelogs2020-10-03 08:52 pm
Entry tags:
- *overview log,
- doc holliday (wynonna earp),
- ellie (the last of us),
- raylan givens (justified),
- ~ claire novak (supernatural),
- ~ daisy johnson (marvel live action),
- ~ jill valentine (resident evil),
- ~ john constantine (dc live action),
- ~ kylo ren (star wars),
- ~ max guevara (dark angel),
- ~ number five (the umbrella academy),
- ~ phil coulson (marvel live action),
- ~ rey (star wars)
001-003 » a chilling mathias welcome
WHO: Everyone.
WHERE: The east end of Mathias, along the waterfront.
WHEN: Days 001-003
WHAT: The newest residents of Mathias Township are welcomed with a storm.
WARNINGS: Will update as necessary. PM this account to have a warning added!
NOTES: A small love letter from your mod. This spot can be used for plotting.
RECOMMENDED ♫ Deadly Avenger "Mara"




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WHERE: The east end of Mathias, along the waterfront.
WHEN: Days 001-003
WHAT: The newest residents of Mathias Township are welcomed with a storm.
WARNINGS: Will update as necessary. PM this account to have a warning added!
NOTES: A small love letter from your mod. This spot can be used for plotting.
RECOMMENDED ♫ Deadly Avenger "Mara"

DAY 001
THE ARRIVAL BEGINS
Is it the whooshing crash of waves on dark jagged rocks that wakes you? Perhaps. It might also be the near-continuous rumble of thunder growing closer every second, the vibrations almost seeming to come from the wet sand beneath your hands. Or maybe it’s the shivering of your own body as water recedes from the pebble-covered shore, the cold sinking into your very bones as a chilled wind picks up. It could be any of these things that rouse you from a deep slumber that leaves you feeling groggy and out of sorts--
But it’s the fear that gets you moving. A deep, intense terror grips your chest and squeezes the breath right out of you, and you know without a shred of doubt that you have mere minutes before whatever it is you’re so afraid of arrives on that stretch of rocky beach to greet you. Even if you want to stay rooted to that spot and faced it head-on, your body betrays you, a survival instinct etched into your genetic code forcing you to seek shelter.
Welcome to Mathias. You should probably run now.THE STORM ARRIVES
When the storm crashes into the small township, it's hard to remember what life was like before it. The ocean becomes a raging thing, waves rising and falling as if trying to attack whatever they can reach along the coast. Any foolish enough to venture along the beach have no hope of surviving the encounter; their bodies will be swept out with the current, gone in the blink of an eye.
The wind is a howling beast, screaming between buildings and driving spikes of cold into any crevice it can reach. The rain is just shy of freezing, every drop like a shard of icicle trying to itself into your skin. It will bite at your nerves and leave you shaking if you stay out in it too long, so you had best get inside if you haven't already. You certainly don't want to attract the attention of the lightning that arcs in the sky like a vengeful god ready to unleash its wrath.
The Grey Gull restaurant sits at the edge of the town along the beach, and just a few yards away are two parallel rows of houses lining what might be a picturesque street if the world weren't beginning to resemble an apocalyptic landscape.
Move quickly, and choose wisely.

DAY 002
THE STORM RAGES ON
The storm has somehow become even more violent overnight. The world outside your shelter might be trapped in an endless night, for all you can see through the thick covering of storm clouds. Lightning continues to streak across the sky, thunder following almost immediately in its wake, threatening just how near those spikes of electricity truly are. You can see them touch the shore at times, even the street between the homes, but never the buildings themselves. A blessing, perhaps, or an oddity to take note of?
Some may be foolish enough to try venturing outside. They are welcome to, of course, that is their right, but the rain is still like ice and that lightning is so very near. You may try heading further into town, and you can certainly see buildings beyond this row of houses, but should you walk toward them...
Well. It is far from a pleasant experience. Exhaustion sinks into your bones so quickly that it leaves you reeling, and every second you push through it makes you physically ill with a feeling that you might collapse at any moment. The second you turn away from that path, however, you feel infinitely, and even more so each step back the way you came.
Something wants you to stay where you are. Perhaps you should.

DAY 003
THE CALM DESCENDS
The third day begins much as the second, with waves crashing upon the shore and thunder booming with such force that the ground seems to shake. It feels very much like the world might end right there, torn apart by a force of nature unlike any seen before. Any who venture outside at this time are almost immediately afflicted with a terror so intense that they can make it no more than a few yards or the short distance to cross a street before they become incapacitated by the fear that sets their heart beating dangerously fast. The term scared to death may very well become literal this day.
And then, suddenly it stops. The rain, thunder, lighting— all if it just stops and the silence that fills the night is deafening. There are no sounds of life within the town, no car motors or dogs barking or the voices of anyone beside those new arrivals in the immediate vicinity. In fact, none of those things even exist in Mathias. There are no cars, no animals or insects, no other people. There is just... emptiness and silence.
It may be best to wait until daylight to move further inland.THE NIGHT DARKENS
For those who are foolish enough to leave the relative safety of the cluster of houses near the Grey Gull, they will find their journey quite chilling, in a very literal sense. There is another row of houses beyond where they had been, branching off on either side into a neighborhood. There are no lights on in any of these homes, though there are occasional streetlights illuminating their way. But as they continue further, reaching a third block of houses, those lights begin to dim, until they have gone out completely, and what had previously been a simple fall chill becomes biting cold as the temperature sharply drops.
In all of this, there is silence. No sounds travel through that night air to comfort them, and even looking up to the sky stretched out above them offers little reassurance. That sky is black, without a single star and not even the faintest outline of the moon to guide them. All that reaches them here is the barest hint of light traveling from the way they've come. The longer they linger outside in this place, the colder it will become, and any light they carry with them will slowly begin to dim as well.
Truly, they should have waited until the sun rose once more.

LOCATIONS
THE GREY GULL is what one might expect of the most frequented restaurant in a small coastal town. The wrap-around porch is lined with white chairs characterized by peeling paint. Exposed wooden walls and worn seating speak to its many years of existence, and the mishmash of décor confirms that the owner never much cared for how the place looked. What mattered here was the food, and faded chalk menus advertise soup specials and a daily pie. The bar appears to have once been well-stocked, but all the bottles remaining are unfortunately empty. There is, however, quite a bit of food in the kitchen that is somehow as fresh as if it were purchased that day.
The second floor of the restaurant is a sparsely furnished apartment. There are no personal items to be found; perhaps it was waiting to be rented out to someone.
THE HOUSES are well-kept, middle-class homes, four lining either side of the street. Their doors are unlocked, windows unshuttered, and everything within feels like the owners might return at any second. There is running water and electricity, fresh food in the fridge, photographs on the wall... but also dust everywhere. If you didn't know better, you'd say the place had been abandoned for years, and yet nothing has aged. It is both strange and unsettling, and yet no matter how hard you search, no answers may be found within these homes.
What can be found within them, however, is a phone. One single black phone within a main room of the house, and beside it, a list of handwritten numbers and names that have been crossed out.1302 8-5491Thomasen
1304 8-9256Lyrie
1306 8-4712Anders
1308 8-3201Mulcalley
1301 8-0415Sanderson
1303 8-6762Reese
1305 8-9132Evers
1307 8-9025Hirano
Should your character choose to shelter in one of the houses, you are welcome to choose the features of that particular unit. Please reply to the comment thread below with the details you decide upon, specifying the house number in the subject line.

☂ Day 2 ☂ OTA
I: the clock is moving, hands to midnightII: in hell i'll be in good company
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Not having given his clothes much time or air to dry out, the fabric is clinging to his skin by the time he makes it indoors to the closest house and pulling the door shut behind him. Half-formed questions amble in circles around his head like shambling ghouls as he tries to fight off the kind of chill that bites to the bone, the kind of aching weariness that he hasn't felt since he was mortal. There's no time to be weary.
With his hat tipped he's dripping an uneven rhythm of water droplets onto the photograph he'd peeled from the fridge. There's no date. No note on the back. Pruned fingertips dance over the faces when he hears an unexpected sound coming from behind in between the claps and rumbles of thunder. Instinct takes over and Doc grabs a fridge magnet, left leg shifting back half a step. He spins and throws the ceramic ornament aiming straight for the head, realising half a second too late that it's just a kid.
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He needed more clues however, and at this time he kept finding none. No glass eyeball to hang on to like a lifeline. Not even a date, an old newsprint.
Nothing. He's angrier by the time he jumps into the same house Doc chose, soaked to the bone, jaw clenched to keep his teeth from rattling.
It takes him a split moment longer than usual to notice the silhouette by the fridge, wide rimmed hat leaving puddles on the hardwood floor. It takes a even second longer before the sharp motion registers and Five drops to the floor in a crouch. The magnet just manages to nick the top of his head before clattering against the wall behind him, and when he straightens himself out, he's rubbing the spot with a quickly forming scowl.
It isn't that Five blames the reaction. To be fair, it bordered on reasonable given the circumstances, and he was being way less careful than he should. The whole thing was a miscalculation based on assumption that this house was as empty as the rest.
"Yeah, screw you too," Five grinds out, unhappy at the fact that he nearly ate a magnet.
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"Are you alright, son? May I take a look? I am- was, a doctor." Still is, he thinks, but times have changed and many of the old ways have fallen out of favour. A little bump though shouldn't need any old or new ways to come right.
He's too focused on their little mishap to notice that the doors and windows are still closed, but there will most definitely be questions in a minute.
i,,,am so sorry
Listen, rationally, sure. It makes sense. Grown adults see someone who looks like he just got out of boarding school, they're going to have a reaction.
But Five is past the point of rational, because his pride smarts more than the silly little bruised scalp. Because he's had two long fucking weeks, his family is hell knows where, and this wasn't helping any of it and Doc's display is so sincere that it's laughable. Not only does Five not need it, he doesn't deserve the concern reserved for actual children. He's lived too long and done too much for that to be true. "You try and get down to my level any more than that and I'm taking out your kneecaps," he glowers, hinging just a touch forward with narrowed eyes and a serrated smile.
"I'm sure there's plenty out there who need your expertise, doc, but my head's just fine," less sharp than the previous threat, but no less pointed because there is no part of him that wants to be fussed over right now.
it's fine
"You came out of nowhere," he explains, placing his hands on his hips above where his empty gun holsters dangle uselessly by his sides. "You-" Doc cuts himself off and looks around, eyebrows furrowed. He's pretty sure he checked all the rooms, and there's a trail of water on the floorboards to prove it. There was no one else here.
"How... did you get in?"
honestly loving this cr already btw!
Here is the thing, as he considers his answer and the man in front of him. Right now was a choice of showing his hand, or not. His hostility is a knee jerk reaction, sure, but he's never been terribly cagey about his powers. Childhood in the limelight, and all that. So, he'd prefer to get this out of the way faster than not.
Besides, someone else's reaction wasn't going to be his problem, and hey, Doc asked.
So Five makes a decision, and with a resigned sigh, he steps forward and is gone in a blink. Only to reappear on the other of the room with a quiet pop of his powers: "Simple spatial displacement."
he is so perplexed by this angry little kid 😆
Doc backs up until his butt collides loudly and awkwardly with the fridge, clutching onto his hat before it gets bumped off his head.
"Wh- What in tarnation?" He almost gave Doc a heart attack. He's seen some strange, unnatural, demonic-attributed occurrences before but that takes the cake. Giving the empty spot where the young man once stood a serious side-eye, Doc points at it, and then turns and points at where the young man is standing now.
"You- you were there... and then... you are here..." Give him a few minutes. He's not the brightest crayon in the box.
🤣
For all the temptation of going at things alone, knowing faces was starting to mean something again, with Elliot's face coming bitterly to mind. He was, of course, a long shot away from trusting anyone in this place, from the handful of people he met here thus far. But their entrapment implied a common goal. And while no one here could ever replace the absolute shitshow of a family (that was finally starting to realize that they were stronger together) this was a start. Knowing a doctor could come in very handy, after all.
"No superpowers where you're from, cowboy?" Even if the questions sounds facetious, there's an underlying curiosity. Amidst the similarly phrased questions he'd managed to ask the others already, the common thread was fast forming.
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He's not the only one who's grown impatient of waiting. Daisy might be feeling a very particular brand of awful and exhausted after a really crappy last few days, but she has to find her team. Her family. They're out there somewhere, they have to be, and she can't just leave them to fend for themselves. She's noticed by now that others are arriving without weapons, and while everyone at SHIELD receives some combat training, they're not all equipped to handle the same sort of things she is. (She is steadfastly ignoring the fact that she can't handle much of anything right now for very long. She'll push herself to breaking if that's what it takes to keep her family safe.)
So out into the storm she goes. Without any protection against the onslaught of icy cold rain, she's soaked in seconds, right back to shivering like when she'd arrived, but she pushes forward nonetheless. Hopefully those houses have some spare clothes she can borrow for whenever she settles somewhere dry after finding her people.
Unfortunately, she doesn't make it very far. An arc of lightning strikes the pavement maybe ten feet away from where she stands in the middle of the road and the thunderclap shakes the air and ground alike. She feels it in her bones, though it's nothing like it should be. The wind whips around her like a whirlwind, like a frozen hurricane trying to knock her down, so she gives in. For now. Into the first house she sees, the number completely unnoted as she flings the front door open and then closed again.
That was fun.
Trying to catch her breath in what is a very dusty and very empty living room, she actually flinches when it becomes not so empty. The flash of blue reminds her of Gordon and her chest tightens at the memories. It isn't Gordon though, and there's no sign of anyone she recognizes. Just a kid in a blue school uniform, looking a bit less drowned than she probably.
Cool. This is fine. Don't mind her staring, it's been a rough week.
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And at the same time, he was back in a position he knew well. Isolated until he wasn't, and all of this searching was to prove to himself that he was truly and well enough alone, powers albeit useless where he was concerned.
He had to make sure, though. He had to make sure his family wasn't here, wasn't lost in the storm or injured or anything in between.
Five tries to ignore the intrinsic guilt that comes with the waves of fear. That what if this apocalyptic landscape was still somehow because of them, because they certainly were too good at being the catalysts of disaster.
He careens himself into another house, one of the last ones he hadn't checked and knowing that he will need a break after this whether he likes it or not. He's more wobbly than he'd care to admit, hair dripping and blazer cuttingly cold with the rain.
Still, he lands on his feet, and wipes at his face until he catches someone staring.
He stares back at the woman looking just as drenched and just as bone tired. A moment later, and he's moving across the room, keeping her in his periphery because he's trained to, but beginning to rummage through whatever shelf, or coffee table he can find for clues.
"Did you wake up here yesterday?" He asks mildly, glancing up.
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Not that either of them knows that about the other, of course. Hard to say what difference it would make if they did.
"Yep," she answers with a heavy sigh, finally moving away from the door. Her body moves slowly, the cold making her limbs feel like they're full of lead, and it's a sensation that is exceptionally unsettling because of how recently she felt it for a very different reason. But she can't think about that right now. Instead, taking note of what he's doing, she asks her own resigned question. "You don't know what's going on either, huh?"
Of course, he doesn't. No one has, why should this kid with superpowers be any different. They're all just trying not to die of hypothermia before they can find a way out of this mess. She hasn't even been able to guess who might be behind all this, which is pretty damn unusual these days.
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Or maybe that would involve sharing, and talking, none of which were of his strengths, and certainly not with the given circumstances.
Though, given how she hardly even reacts to his appearing from thin air, it gets her a curious look. Brows knitting slightly, and a long enough pause for him to stop what he's doing, papers held uselessly in his hands. "No. There's not even a date," said as though that's the most important thing in the world.
"It's like this place doesn't exist." He steps in the direction of the fridge, disappears and reappears because this is second nature.
The fridge doesn't have anything useful hanging on it either. No Timmy's soccer practice or whatever bullshit places like this would have. "- Nothing."
And his attention pivots back to her. "What year was it? Before you showed up here?"
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She doesn't blink when he just disappears, a casual display of powers nothing more than normal in her life. There is an absent wonder of if he's an Inhuman, but that's not the most pressing thing at the moment. The fact that this kid in a frankly ridiculous school uniform is familiar enough with time travel to be asking questions like this? That is what she needs to focus on.
"1983," she answers with a frown, crossing her arms and watching him carefully for his response to the next piece of her particular puzzle. "But I'm from 2019."
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“1963 first,” he says as he tries to piece something together. The problem here is that the jigsaw pieces are very few and far in between, and he’s left with more questions than answers. “But we were from 2019. Almost made it back this time, too,” it’s as if it’s an inside joke, the twist to his mouth sardonic.
He voices this as he turns to pace. The first thought, given his exit and the sweeping acre of corpses converged into their single timeline, was that she was Commission. But the fact that she currently wasn’t trying to murder him on sight suggested she wasn’t. Still...
“Does the name Temps Commission mean anything to you?”
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Watching him pace is exhausting. Trying to put these puzzle pieces together is even more so. She just has to hope that her old view works out this time, and that they can all find smaller pieces to solve together. Pieces solving a puzzle.
"Nope," is the immediate answer to his question, with an emphasis on the P. And, even though she's pretty sure she already knows the answer, she asks her own: "Does the name SHIELD mean anything to you?"
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"So we're from the same year," he rattles off the pieces he has because his mind is turning very quickly, trying to parse out anything and the fact that this was one of the few actual conversations that resembled a lead makes it just slightly easier to ignore the need for rest. He stays moving
sorry daisy. "But I met someone else who wasn't. Several, actually. And this place doesn't have any dates in it. At all. Right?"The frustration was very much winning over. His jaw is set, and he stops trying to wear the floor boards out to stare out into the storm, still raging outside. "Everything is freshly stocked, but there's years of dust on everything. We all just wake up here like - "
Wait. "How did you time travel?"
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II
He doesn't immediately spot anyone just inside, but there's a chance someone's already holed up in there, and while he's not being too picky about the places he stops by, he doesn't want to intrude either.
So, with that in mind, he slowly turns the handle and pushes the door open a crack.
"Anyone in here?"
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He hadn't bothered locking the door. Which is either confident or stupid or straight up careless, but he didn't see the point.
He has another steaming cup of coffee out in front of him, and a half-eaten peanut-butter marshmallow sandwich, because he's exhausted. Papers are already strewn out on the coffee table in front of him, notes scrawled in blue ink when he looks up at the door and immediately tenses.
It's habit and training both that makes him grip his pen in his fist, and firmly plant his feet on the rug, ready to spring.
But the stranger doesn't seem inclined on anything other than a polite question, so Five shrugs. "Yeah. You don't happen to live here, do you?"
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And the houses themselves don't have much of value either, so that's another reason why locking the door feels a little unnecessary. But the narration digresses, so moving on.
Coulson takes in the scene in front of him, from the coffee (!!) to the sandwich (are those marshmallows?), and then he looks back at Five. "No, I don't. I'm starting to think these houses are uninhabited, except for us."
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So, why lock a front door when you can, in fact, break a neck with your bare hands in the blink of seconds?
It isn't that he'd geared up for those terms. And he especially doesn't want to be. This was still, more than not, a display of carelessness. The fact remains that he should have locked it. Maybe it's the continued lack of sleep, catching up to him from all directions.
He gives the other man a small, pressed smile. Polite and tired and maybe (definitely) a little forced. "I've been through all of them. On this street, anyway. So you're correct on that."
(leave his marshmallow peanut butter sandwich be!!) ..."Coffee?"
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And, well, he certainly hopes that no one's about to break his neck, because that would really be counterproductive to figuring out what's going on here. Not that he's made any particular strides towards that goal, but he doesn't anticipate any speed bumps being thrown in his path either.
"That does beg the question of who lived here before we did, but I don't suppose we'll be learning that anytime soon." At least, Coulson hasn't stumbled upon any particular clues to point him in any useful directions.
He'll pass on the sandwich, though; he's not that adventurous. But there's no denying that a cup of coffee would be great right about now. "If you have any to spare, if not, I'm fine." Far be it for him to take someone else's stash.
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While, of course, spending a very long time in the apocalypse has gotten him used to having a stash, as it were, everything seems so suspiciously well stocked that he hadn't considered the possibility of being too precious about hoarding resources.
Besides, the more everyone continues to be on the same page, the more chance there is to figure this shit out faster.
Five has never been much of a team player, but he's not stupid either. So he sets the steaming mug down on the coffee table.
"All of the houses seem to have the same list of numbers, by the phone. All of the names are crossed out," which was the only indication that anyone has really been here in the first place. "Which means someone was here to cross them out, right?"
Listen, Five treats nearly everyone he's met here as a proverbial soundboard. He can't sleep, so it's either talking to himself, or someone real.
He's done the former for forty-five years, so he'd much prefer the latter.
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"Sure, that's a logical conclusion. And it raises the question of was that person or persons forced to leave, or did they leave on their own? Or could it be they never left?" Either they're still here somewhere or someone or something did them in and hid the evidence. There's too many possible scenarios here and nothing to indicate one over the other.
Coulson is very much the same way; talking aloud to lay out his thoughts helps, and it also opens the floor for others to offer their own insight.
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The more disquieting thought, however, is what Coulson says: could it be they never left?. "Really don't want to find those skeletons in the closet." He's checked for bodies, but there haven't been any.
No signs of struggle, as far as he knows.
This guy seems reasonably well adjusted, too, and arguably the most sane conversation to date. Which wasn't saying much, but more than nothing. "So, where're you from?" He gestures to the notes on the table. "I'm trying to keep track. There's been absolutely no consistency so far."
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