Callisto, too, is spending a good deal of time wandering around Baneberry Hall, willingly and knowingly picking up other people's objects and letting herself be immersed in their lives for a short while. Liz's, as it turns out, is one of the easier ones to identify (the way she'd talked with her hands had been an obvious clue), as well as one of the easier ones to understand (birth and death are the same everywhere, in all places and all time periods). She watches it through several times in a row before moving on, leaving the photograph behind.
She doesn't think about it again until hours later, when she spots Liz herself in one of the bedrooms. Impulsively, she ducks in after her, signing her name sign by way of greeting - she's remembered it decently well, even if her finger movements are unpracticed and imprecise.
"I saw yours," she says conversationally, gesturing to her own eyes in a makeshift sign language of her own.
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She doesn't think about it again until hours later, when she spots Liz herself in one of the bedrooms. Impulsively, she ducks in after her, signing her name sign by way of greeting - she's remembered it decently well, even if her finger movements are unpracticed and imprecise.
"I saw yours," she says conversationally, gesturing to her own eyes in a makeshift sign language of her own.